Michael Kyser named President of Black Music at Atlantic in US February 3, 2011 By Music Business Worldwide Michael Kyser has been appointed as the first-ever President of Black Music for the Atlantic Records Group. Keefa Black. Vice President, A&R. Phone Email. Jerry also introduced Mariah Carey to Tommy Mottola. 2003-04 - Mirage Music Entertainment has been reactivated with a distribution deal through Sony Music. 2), "Since You've Been Gone" (Soul No. [14], Ertegun and Abramson spent much of the late 1940s and early 1950s scouring nightclubs in search of talent. Michael Kyser has been named the first-ever President of Black Music for the Atlantic Records Group. However, she is quick to share credit not just with the companys leaders and her teams over the years, but also for the guidance she received along the way. 2009 to 2011 - Mirage Tribute Bands is formed. 1, Pop No. 1989 - Tommy Mottola, who took over Sony Music, offered Greenberg a label in California. The Clovers' "Don't You Know I Love You" (composed by Ertegun) became the label's first R&B No. The announcement was made today by Atlantic Chairman/COO Julie Greenwald and Chairman/CEO Craig Kallman . Greenberg was then signing artists and overseeing the company on a daily basis. December 2, 2014, 12:34 PM. Atlantic Business Interiors offers a vast array of office furniture and equipment, and combine that with an in-depth knowledge of workplace layout and ergonomics to ensure you make the most of your office space and give your workforce the best work . In January of 1996, she was named Executive Vice President. "Queen of the Hop" made the Top 10 on both the US pop and R&B charts and charted in the UK. [65] Atlantic continues to hold the rights to Stax recordings it distributed in the 1960s. Atlantic Records. [40], Atlantic played a major role in popularizing the genre that Jerry Wexler dubbed rhythm & blues, and it profited handsomely. The new Warner owners refused to relinquish ownership of the Stax masters, so the distribution deal ended in May 1968. 1988 - Greenberg was asked to return to Atlantic Records as President of Atco Records, which was Atlantic's other label based in California. I posted something on my Instagram asking my followers to tag interesting locals. 3 on the pop chart, selling over one million copies. And Julie Greenwald is a great role model since she is an executive without peer., Although formats and platforms and so much else about the music business has changed over the years, the basics of breaking a song remain the same (to paraphrase a legendary Atlantic artist). [9] When interviewed in 2009, she attributed her reputation to the company's chronic cash-flow shortage: " most of the problems we had with artists were that they wanted advances, and that was very difficult for us we were undercapitalized for a long time. [5] Ahmet ostensibly stayed in Washington to undertake post-graduate music studies at Georgetown University but immersed himself in the Washington music scene and entered the record business, which was enjoying a resurgence after wartime restrictions on the shellac used in manufacture. 1 on the R&B chart and No. It was not until the mid-1960s that multitrack recorders became the norm in English studios and EMI's Abbey Road Studios did not install 8-track facilities until 1968. Label President Ahmet Ertegun still had no desire to sell, but the balance of power had changed since the abortive takeover attempt of 1962; Atlantic's original investor Dr Vahdi Sabit and minority stockholder Miriam Bienstock had both been bought out in September 1964[51] and the other remaining partner, Nesuhi Ertegun, was eventually convinced to side with Wexler. The Harlemaires. As part of the negotiations, Collins and his bandmates wanted their own 'vanity' label, Duke Records, but according to Kalodner, and despite Ertegun's personal interest, the group's demands, and their relatively modest performance in the US made Atlantic executives ambivalent about the deal. [22] Their records created some controversy: the suggestive "Such A Night" was banned by radio station WXYZ in Detroit, Michigan, and "Honey Love" was banned in Memphis, Tennessee[23] but both reached No. On this Wikipedia the language links are at the top of the page across from the article title. Two female artists were personally signed by Wexler, with album releases in 1969, Dusty Springfield (Dusty in Memphis)[67] and Lotti Golden (Motor-Cycle),[68] although Golden also had a close working relationship with Ertegun, who was instrumental in her signing with the label. Ertegun remained friendly with Bobby Darin, who returned to Atlantic in 1966. He started his career in the music business as a drummer in the band "Jerry Green and The Passengers" which he founded. In 1976, the label started focusing on disco and R&B. During his tenure as president of several major labels, Jerry has signed such acts as ABBA, The Blues Brothers, Foreigner, Genesis, TS Monk, Whitesnake, Chic, Nile Rodgers, Dr. Dre & Eazy-E (Production Deal), Motrhead, Brownstone and 3T. [39] The roles of the other executives with Abramson's departure were Wexler as executive vice-president and general manager, Nesuhi Ertegun as executive vice-president in charge of the LP department and Miriam Bienstock as vice-president and also president of Atlantic's music publishing arm Progressive Music with Wexler as executive vice-president and the Ertegun brothers vice-president of Progressive. [5][47], Record producer Phil Spector moved to New York to work with Leiber and Stoller. Two members of The Robins formed The Coasters and recorded hits for Atlantic, such as "Down in Mexico" and "Young Blood". Vice President of A&R at Atlantic Records Los Angeles, California, United States. [17] Atlantic's fortunes rose rapidly: 187 songs were recorded in 1949, more than three times the amount from the previous two years, and received overtures for a manufacturing and distribution deal with Columbia, which would pay Atlantic a 3% royalty on every copy sold. Kenny . The breaking point came when they asked for a producer's royalty. [15], In late 1947, James Petrillo, head of the American Federation of Musicians, announced an indefinite ban on all recording activities by union musicians, and this came into effect on January 1, 1948. Atlantic's early stereo recordings included "Lover's Question" by Clyde McPhatter, "What Am I Living For" by Chuck Willis, "I Cried a Tear" by LaVern Baker, "Splish Splash" by Bobby Darin, "Yakety Yak" by the Coasters and "What'd I Say" by Ray Charles. After buying Elektra Records and its sister label Nonesuch Records in 1970, Kinney combined the operations of all of its record labels under a new holding company, WEA, and also known as Warner Music Group. So significant was Brown's success to Atlantic that the label became known colloquially as "The House That Ruth Built". My own staff is built with outstanding executives of both sexes, so I view it more as Forget gender but do a job with integrity, diligence and teamwork that you are proud of, and continue to listen, teach, learn and inspire those around you, she says. In 2004, Atlantic and its sister label Elektra were merged into the Atlantic Records Group. 1967 - Jerry Wexler asked Greenberg to become his personal assistant at Atlantic Records. A few people had tagged him and I reached out to ask if he would be so kind to let me interview him. 1974 - Ahmet Ertegun, now Chairman, announced Greenberg as President of Atlantic Records, making him the youngest president of a major record company at 32. During his short time at Atlantic, Spector produced music for LaVern Baker, Ruth Brown, Jean DuShon, and Billy Storm. 2005 - Jerry & Bob Greenberg form the Rainbow Bar & Grill Expansion Group. Although Leiber considered dropping the matter, Stoller pressed Atlantic for payment. [53] Months later the company was reeling from the successive loss of its two biggest artists, Bobby Darin and Ray Charles, who together accounted for one-third of sales. Sadi Koylan. The band recorded for Atlantic Records, Roulette Records, United Artists, and DCP Records as Jerry Green and The Passengers. NEW YORK (CelebrityAccess) - Erika Clark has been promoted to Vice President (VP) of Media Relations at Island Records by Executive Vice President of Media Relations Lauren Schneider, to whom Clark will report. In late 1961 singer Solomon Burke arrived at Jerry Wexler's office unannounced. Wexler contacted the co-owner of Satellite, Jim Stewart, who agreed to lease the record to Atlantic for $1000 plus a small royaltythe first money the label had ever made. The Rainbow Bar & Grill in Las Vegas recreates the Hollywood location with red leather booths and rock-n-roll memorabilia adorning the walls. But when Ertegun offered him another chance, the result was "Splish Splash", which Darin had written in 12 minutes. [5], In early 1949, a New Orleans distributor phoned Ertegun to obtain Stick McGhee's "Drinking Wine, Spo-Dee-O-Dee", which was unavailable due to the closing of McGhee's previous label, Harlem Records. MTB presented Bring Back the Music every Wednesday night at the Hilton Hotel (now Westgate) in Las Vegas. Wexler's success for Atlantic was the result of going outside jazz to sign acts who combined jazz, blues, and rhythm and blues, such as Ray Charles, Joe Turner, and Aretha Franklin. ", Atlantic suffered a catastrophic loss in the early morning of February 8, 1978, when a fire destroyed most of its tape archive, which had been stored in a non-air-conditioned warehouse in Long Branch, New Jersey. [28], Atlantic entered the LP market early: its first was This Is My Beloved (March 1949), a 10" album of poetry by Walter Benton that was narrated by John Dall with music by Vernon Duke. 1 in the UK and became a multi-million seller. In 1978, Atlantic finally broke the leading UK progressive group Genesis as a major act in the US. During the previous year, 78s had outsold 45s by a ratio of two to one.[30]. [26], Beginning in 1954, Atlantic created or acquired several subsidiary labels, the first being Cat Records. [26] He had been living in Los Angeles for several years and had intermittent contact with his younger brother. In 1966 Atlantic signed a licensing deal with Polydor which included the band Cream, whose debut album was released by Atco in 1966. He wore T-shirts reading "Atlantic Records sucks" while performing live and, in the music video for "White & Nerdy", he defaces Atlantic's article on Wikipedia, replacing the page with "YOU SUCK!" Juliette Jones of Atlantic Records is a self-proclaimed "accidental executive.". Songwriter Bert Berns hated Spector's arrangement and thought it ruined the song, so Berns re-recorded it with The Isley Brothers and it became a hit. "Security") in 1982 to wide acclaim, and Gabriel scored a minor US hit with the single "Shock The Monkey". By the mid-1950s Atlantic had an informal agreement with the French label Barclay, and the two companies regularly exchanged titles, usually jazz recordings. [52], Atlantic was doing so well in early 1959 that some scheduled releases were held back, and the company enjoyed two successive months of gross sales of over $1 million that summer, thanks to hits by The Coasters, The Drifters, LaVern Baker, Ray Charles, Bobby Darin, and Clyde McPhatter. 1633 Broadway Fl 10, New York, New York, 10019, United States. Previously, Irene was an A&R Administration at RCA Records and also held positions at SONY. Passengers on the new route will travel aboard Boeing 787-9 Dreamliner aircraft configured . [57] The deal marked the start of a successful eight-year association between the two labels, giving Stax access to Atlantic's promotions and distribution. Reissue producers and archivists subsequently located some tapes that were at first presumed 'lost', but which had survived because they had evidently been removed from the New Jersey archive years earlier and not returned. Although the extended length of much of their material made it somewhat difficult to promote the band with single releases, their live prowess gained them an avid following and their albums were hugely successful their third LP The Yes Album (1971), which featured the debut of new guitarist Steve Howe, became their first big hit, reaching #4 in the UK and just scraping onto the chart in the US at #40. [71][pageneeded] With Ertegun's power at Warners now secure, Atlantic was able to maintain autonomy through the parent company reorganizations and continue to do their own marketing, while WEA handled distribution. Reacting to the acrimonious breakup of his first marriage, he had begun writing and recording new songs at home, which were considerably different from the material he had been recording with Genesis. 2 in the US and No. Harry Anger and Arnie Geller mentored me during my Polydor days, but ultimately it was Doug Morris who really taught me the business, she says of the longtime Atlantic president who became the only person to be CEO of all three major label groups. [13] In its early years, Atlantic concentrated on modern jazz[11][14][3] although it released some country and western and spoken word recordings. So we immediately targeted pop radio, which wasnt as open to playing hip-hop artists out of the gate. 1 in February and March 1953. Atlantic was incorporated in October 1947 and was run by Abramson (president) and Ertegun (vice-president in charge of A&R, production, and promotion). 1), "Baby, I Love You" (Soul No. Our costs began at the production levelthe pressing, and distribution, and promotion, and advertising. He saw something more in there that wasn't coming out before. [87], A country music division, which was founded in the 1980s, was closed in 2001. ")[76] Prager persisted with Atlantic, even though their A&R department and label President Jerry Greenberg repeatedly rejected Foreigner; it was Kalodner's dogged belief in the group (and a live audition) that finally convinced Greenberg to allow Kalodner to sign them and take them on as his personal project. Wexler disliked him. In 1975 Kalodner moved to the A&R department, rose rapidly through the ranks, and in 1976 he was promoted to become Atlantic's first West Coast director of A&R. DZ Atlantic President Testifies to Nebraska Legislature in Support of Nuclear Workforce Development - Part 1 of 2 DZ Atlantic President Ross McConnell and Day & Zimmermann Senior Vice President of Nuclear Operations James Chesnut testified February 16 before the Nebraska Legislature's Natural Resources Committee in support of Legislative Bill 568, the Nuclear and Hydrogen Development Act. [19] The song reached No. Army. Brown received a voluntary payment of $20,000 and founded the Rhythm and Blues Foundation in 1988 with a donation of $1.5 million from Ertegun. 1980 - Jerry Greenberg becomes a consultant to Atlantic while forming his own label with his brother, Bob Greenberg, called Mirage Music; Jerry remained on the East Coast, Bob on the West Coast. In 1967 the group traveled to Atlantic's studio in New York City to record Disraeli Gears with Tom Dowd; it became a Top 5 LP in both the US and the UK, with the single "Sunshine of Your Love" reaching No. MTB handled tribute bands Led Zepagain (Led Zeppelin tribute band), Rolling the Stones (The Rolling Stones tribute band), ABBACADABRA (ABBA tribute band), Bonfire (AC/DC tribute band), Bella Donna (Stevie Nicks tribute band), The Long Run (Eagles tribute band), Fan Halen (Van Halen tribute band) and others. "With the new EDM music scene emerging, a new music label from Ibiza and LA is a perfect fit," said Greenberg. In 1956 he started the '8000' popular series (selling for $3.98) for the label's few R&B albums, reserving the 1200 series for jazz. Cotillion was also responsible for launching the career of Luther Vandross, who recorded for the label as part of the trio Luther. In February 1953, Herb Abramson was drafted into the U.S. Wexler was impressed by the cooperative atmosphere at the Stax studios and by its racially integrated house band, which he called "an unthinkably great band". Promotion is an art that morphs in tandem with the trends of radio as well as the broader currents of culture, she says, but ultimately the tenets are the same. Once there, he continued to sign major artists, including Michel'le and JJ Fad, produced by Dr. Dre and Eazy-E. Cotillion's catalog quickly expanded to include progressive rock, folk-rock, gospel, jazz and comedy. The union action forced Atlantic to use almost all its capital to cut and stockpile enough recordings to last through the ban, which was expected to continue for at least a year. By the age of eighteen, Greenberg already had his own record label, called Green-Sea Records. 2 on the pop chart. His agent David Geffen went to Wexler to ask for Stills to be released from his Atlantic contract because Geffen wanted Stills' new group to sign with Columbia. Both albums went platinum, and it was the first rap album to go platinum for WEA Distribution. When released in February 1949,[5] it became Atlantic's first hit, selling 400,000 copies, and reached No. Atlantic missed an important signing in 1955 when Sun owner Sam Phillips sold Elvis Presley's recording contract in a bidding war between labels. 3 in September 1952, and "Mama, He Treats Your Daughter Mean" with Connie Kay on drums reached No. In addition to establishing Cotillion, Atlantic began expanding its own roster to include rock, soul/rock, progressive rock, British bands and singer songwriters. Their single "Money Honey" became the biggest R&B hit of the year. Much of Atlantic's renewed success as a rock label in the late 1970s can be attributed to the efforts of renowned A&R manager John Kalodner. Price previously served as senior vice president of Business and Legal Affairs at 10K Projects, an independent record label. Professional Member of The Recording Academy / GRAMMY's, Recipient of the Nordic Music Bizz' '20 under 30' prize anno 2019. 1, Pop No. "Beyond the Sea" became Darin's fourth consecutive Top 10 hit in the US and UK. By 1979 Genesis drummer/singer Phil Collins was considering branching out into a solo career. At this same time, Genesis' contract with Atlantic was up for renewal, and Collins was yet to sign as a solo artist. In the years that followed, Foreigner became one of Atlantic's biggest successes, and one of the biggest-selling groups in history, scoring a string of international hits and selling more than 80 million albums worldwide, including 37.5 million albums in the US alone. [7] Miriam gained a reputation for toughness. In October 1967 Atlantic was sold to Warner Bros.-Seven Arts for US$17.5 million, although all the partners later agreed that it was a poor deal that greatly undervalued Atlantic's true worth. He had more hits than George Martin and Phil Spector combined. Wexler lost his temper and threw Geffen out of his office, but Geffen called Ahmet Ertegun the next day, and Ertegun persuaded Geffen to convince Clive Davis at Columbia to let Atlantic sign Crosby, Stills & Nash.[5]. The VP of Enabling Services aims to oversee Design, Build and Run aspects on his/her domain. Ertegun and Wexler knew of the group's leader, Jimmy Page, through The Yardbirds, and their favorable opinion was reinforced by Dusty Springfield, who recommended Atlantic sign the band. First and foremost is the music itself, and then the strategy created to expose it.. 1994 - Greenberg is elected to the Board of Directors of Westwood One, the world's #1 supplier of talk, sports, radio, news, and shows all over the world. [2] Craig Kallman is the chairman of Atlantic. By 1956 the 45 had surpassed the 78 in sales for singles. The label was originally formed as an outlet for blues and deep Southern soul; its first single, Otis Clay's version of "She's About A Mover", was an R&B hit. He initially worked for Atlantic on a freelance basis, but within a few years he had been hired as the label's full-time staff engineer. [26], Nesuhi was also in charge of LP production. Location. [33] LaVern Baker had a No. Atlantic also began to get recordings distributed in the United Kingdom, first through EMI on a 'one-off' basis. The mid-1960s British Invasion led Atlantic to change its British distributor. "Mack the Knife" (1959) went to No. Jerry Greenberg signed the group to Atlantic in the US in 1973 on Ertegun's advice, but although they were very successful in Europe, Genesis remained at best a "cult" act in America for most of the Seventies. "Dream Lover" reached No. The demo tapes of the songs that eventually became their debut album (including the song "Feels Like The First Time") were famously rejected by almost every major label, including Atlantic although their tenacious manager Bud Prager later revealed that, in retaliation for a previous bad deal, he deliberately didn't approach CBS ("They had screwed me out of a lot of money, so I figured I would screw them out of Foreigner. According to the International Herald Tribune, "More than half of its music sales in the United States are now from digital products like downloads on iTunes and ring tones for cellphones", doing so "without seeing as steep of a decline in compact disc sales as the rest of the industry."[93]. 8), "Chain of Fools" (Soul No. 4 R&B hit with "Tweedlee Dee", but a rival version by Georgia Gibbs went to No. NEW YORK, NY-- (Marketwired - Dec 2, 2014) - Maureen Kenny has joined Atlantic Records as Senior Vice President of A&R, based at the company's Burbank office. "[19] She rose to fame quickly and was called the Queen of Soul. [59], Atlantic began pressing and distributing Stax records. Wexler recalled, "We didn't pay for the mastersJim paid for the masters and then he would send us a finished tape and we would put it out. [49], Atlantic tolerated Spector but with diminishing returns. Orlando Wharton is a Senior VP of A&R at Atlantic Records and he is a Jersey City Native. 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